
Rules and ethics
3 ways ASA rulings change social media management for UK brands
Social media management in the UK turns on three ASA rulings: influencer disclosure, ad labelling and claims, plus the sanctions that follow.
What to take away
- Social media management in the UK is judged against the CAP Code, and three ASA rulings show where agency-run campaigns most often fail.
- Influencer disclosure must be upfront and unmissable, as the ASA found against Boots and THG in January 2022.
- Ad labelling decides whether paid social is recognised as advertising at all, as the ASA rulings against Michael Kors in March 2019 and Müller in October 2019 showed.
- Claims need evidence held before publication, which is why the ASA upheld complaints against Colgate and Tesco Mobile in October 2021.
- The advertiser, not the agency, is legally responsible under the CAP Code; the agency carries the commercial and reputational consequences.
- Sanctions escalate from a published ruling to paid search ads naming the advertiser on the non-compliant online advertisers list.
- Review and sign-off should be a written, repeatable process, not a judgement call made the day before launch.
How ASA rulings under the CAP Code reach social media management
The Advertising Standards Authority writes and enforces the advertising codes in the UK. The advertising codes split into the broadcast code for television and radio and the non-broadcast code for everything else. Social media sits in the non-broadcast CAP Code.
Broadcast vs Non-Broadcast Code
Broadcast Code
- Covers
- TV and radio
- Social media
- Not covered
- Examples
- TV spot
- Enforcement
- ASA rulings
Non-Broadcast Code
- Covers
- Social media, everything else
- Social media
- Covered
- Examples
- Paid post, gifted stay, TikTok
- Enforcement
- ASA rulings
That means a paid post, a gifted stay, a brand's own TikTok, an affiliate link and a whitelisted creator ad all fall under the same rulebook. What the CAP Code means for agency work is that it applies to commercial communications wherever they appear, not just where an ad slot was bought.
Rulings are the enforcement record. Each published case names the advertiser, quotes the rule breached and states what must change. The rulings database is public, searchable and indexed by sector, so a competitor's mistake is visible to your client's board within days.
Most social media cases arrive by complaint rather than monitoring. A single viewer, a rival brand or a pressure group can trigger a review. The ASA then asks the advertiser to substantiate, and the burden sits with the brand, not the complainant.
Agency teams often assume the platform's own ad policy is the ceiling. It is not. Meta, TikTok and Google enforce their own rules, and a campaign can clear those checks and still breach the CAP Code. The two systems run in parallel, and only one of them ends in a published adjudication.
For agencies, the practical consequence is that sign-off is a regulatory act. The person who approves a post is approving a claim, a disclosure and a targeting decision that the ASA can examine months later.
Ruling one: influencer disclosure failures and what changed
Influencer disclosure is the area where UK rulings have been most consistent and most unforgiving. The rule is simple: the commercial relationship must be obvious before a viewer engages with the content, not after.
Influencer Disclosure Rulings
- 2022Boots ruling celebrity ambassador posts not obviously ads
- 2022THG ruling paid partnership label easy to miss
- AfterAgency contracts must specify label, position, platforms
The Boots and THG rulings
In January 2022 the ASA upheld complaints against Boots UK Ltd and THG Beauty Ltd, both over influencer posts that failed to disclose a commercial relationship clearly. The Boots ruling, dated 19 January 2022, concerned Instagram posts by Molly-Mae Hague for a beauty launch that were not obviously identifiable as ads.
The THG ruling, also dated 19 January 2022, concerned a paid partnership post by Louise Thompson for Lookfantastic that carried a label easy to miss in a crowded caption.
The ASA's reasoning was the same in both. The posts were marketing communications, they were controlled by the advertiser, and a viewer scrolling quickly would not have recognised them as advertising. The brand name and the platform's own partnership tool did not fix that on their own.
Label, position and contract controls
The rulings moved disclosure from a creator courtesy to an agency control. Contracts now need to specify the label, its position and the platforms it must appear on. The non-broadcast code sets the recognition principle that the label has to satisfy, and the label has to be understandable to an ordinary viewer scrolling quickly.
That has three consequences for social media management.
- Brief the label, not just the message. Write the exact wording and placement into the creative brief.
- Check the live post, not the draft. Creators edit captions after approval, and platform interfaces move labels around.
- Keep the evidence. Retain the contract, the brief and a screenshot of the published post for the period the campaign runs.
A workable disclosure policy covers paid, gifted, discounted, affiliate and ambassador relationships in one place, so nobody has to decide case by case at speed.
A gifted post with no label
Take a beauty brand that sends a creator a £180 gift set with no payment and no brief beyond a request to share it if she likes it. She posts a photograph with the brand tagged and the caption "obsessed with this". No label appears.
Under the CAP Code this is an ad, because the brand exercised control by supplying the product for coverage. Boots and THG both lost on that logic.
Ruling two: ad labelling and recognition in paid social
Ad labelling is a separate issue from influencer disclosure, and it trips up more experienced teams. The question is whether the audience recognises the content as advertising at all.
Ad Recognition Failures
- Affiliate content reads as personal recommendation
- Whitelisted ads through creator handle
- Paid partnership label in grey text
- Content reads as editorial or creator's own view
The Michael Kors and Müller rulings
The ASA upheld complaints against Michael Kors (UK) Ltd and Müller UK & Ireland Group LLP. The Michael Kors ruling, dated 13 March 2019, concerned an Instagram post by Bella Hadid that featured a Michael Kors handbag without an ad label.
The Müller ruling, dated 16 October 2019, concerned an Instagram post by Mrs Hinch that promoted Müller yogurt without a clear ad label.
In both cases the content read as editorial or as a creator's own view, while the commercial arrangement behind it was not clear to the audience. Fashion and food are both fast-moving categories where brands lean on creators and on editorial formats, and that is exactly where recognition fails.
Why recognition is the test
The CAP Code requires marketing communications to be obviously identifiable. On social platforms, where editorial and commercial content share the same feed, that identification has to be carried by the content itself. A small "paid partnership" line that the platform renders in grey text may not be enough if the rest of the post reads like independent opinion.
Formats that hide the commercial link
Three formats cause most of the trouble.
- Affiliate content that reads as a personal recommendation with the commercial link buried below the fold.
- Whitelisted ads run through a creator's handle, where the audience believes they are following the creator's own view.
- Own-brand posts that use editorial formats, such as a review or a ranking, without marking them as promotional.
The common thread is borrowed trust. The content works because the audience does not read it as an ad, and that is what the rules prohibit.
What good labelling looks like
A label should be visible without interaction, in the same field of view as the claim, and in language the audience uses. "Ad", "advert" and "paid partnership with" work. A brand name alone does not. A hashtag that means nothing outside the industry does not.
Tools on the platform are useful, yet they do not resolve the matter. A paid partnership tag is evidence of intent, not a defence on its own. If the caption reads as a personal endorsement and the tag is faint, the ASA can still find the post unrecognisable as an ad.
For agencies running always-on paid social, the practical control is a labelling field in the content template that cannot be left blank. If the template requires a value, someone has to choose one, and that choice is reviewable.
Ruling three: claims and substantiation in agency-run content
Claims and substantiation is where social media management carries the most risk, because the evidence burden sits with the brand and the timeline is unforgiving.
Claim Substantiation Failures
- Performance claims from small internal test
- Superlatives without named, verifiable basis
- Short video shows result without qualification
- Evidence file incomplete at time of complaint
The Colgate and Tesco Mobile rulings
The ASA upheld complaints against Colgate-Palmolive (UK) Ltd and Tesco Mobile Ltd. The Colgate ruling, dated 20 October 2021, concerned a claim for Colgate Total toothpaste that plaque was reduced by up to 24% more than a regular fluoride toothpaste.
The Tesco Mobile ruling, also dated 20 October 2021, concerned a claim that it was the only network not to raise prices mid-contract.
In both cases the issue was not the wording alone but the evidence behind it. The advertiser could not show, at the time of the complaint, that the claim was substantiated to the standard the CAP Code requires.
That is the recurring shape of claims cases. The claim is plausible, the intent is honest, and the file that should hold the proof is incomplete.
The standard
A claim must be true, capable of substantiation, and not misleading in context. Context includes the format. A short video that shows a result without qualification can mislead even if a longer page elsewhere explains the limits.
Comparative claims are stricter. Saying a product is the best, the fastest or the most effective invites the ASA to ask what it was compared against and on what basis. Superlatives without a named, verifiable basis are the most common single cause of upheld rulings.
Where agency content fails
Agency-run content fails in predictable places.
- Performance claims drawn from a small internal test presented as general results.
- Health, skincare and supplement claims that drift past what the product is permitted to say.
- Environmental claims, where terms such as sustainable or eco-friendly need a defined meaning and evidence behind it.
- Price and discount claims, where a reference price must have been genuinely offered.
- Testimonials presented as typical when they are exceptional.
The rules and ethics apply to content an agency writes, scripts or edits, even when the client supplies the underlying claim. If you drafted it, you own part of the risk.
A substantiation file
Every claim in a campaign should have a matching entry in a file that holds the evidence, the date it was obtained and the person who verified it. A simple table is enough.
| Claim in post | Evidence held | Owner | Review date |
|---|---|---|---|
| "Clinically proven to reduce redness" | Supplier study, full report, not just the summary | Brand regulatory lead | Before launch |
| "Best rated in its category" | Named survey, sample size, date and methodology | Agency strategist | Before launch |
| "Made from 100% recycled material" | Certification and supply chain statement | Client operations | Before launch |
If a row cannot be filled, the claim comes out. That rule is easier to enforce than a debate about whether a phrase is puffery.
Sanctions and the non-compliant online advertisers list
ASA sanctions escalate. The first outcome is a published ruling, which requires the advertiser to withdraw or amend the ad and creates a public record. That alone damages trust with customers and retail partners.
ASA Sanctions Escalation
- Published ruling: withdraw or amend ad
- Failure to amend
- Continued running of same claims
- Further sanctions: platforms remove paid ads
- Non-compliant online advertisers list
If an advertiser keeps running the same non-compliant ads, the ASA moves to further sanctions. The sanctions page sets out the available measures, which include asking platforms and networks to remove paid ads and working with partners to restrict access.
The most visible step is the non-compliant online advertisers list. Advertisers placed on it have paid search ads bought against their own brand names, so anyone searching for them sees a warning that their ads break the rules. For a consumer brand, that is a direct hit on acquisition.
What triggers escalation
Escalation follows a pattern rather than a single mistake. An upheld ruling, then a failure to amend, then continued running of the same claims. The ASA also refers some cases to other regulators, including the Competition and Markets Authority for misleading pricing and the Information Commissioner's Office where data protection issues arise.
Why this matters to agencies
A client on the list is a client whose paid social cannot run properly, and whose organic content is under scrutiny. The reputational cost lands on the agency too, because the campaign was agency-run.
This is the point at which teams should rehearse risk scenarios before a client crisis rather than during one. Knowing who speaks to the client, who pulls the ads and who holds the substantiation file turns a week of panic into a morning of work.
What agencies should change in review and sign-off
The rulings point to a small number of changes that remove most of the risk. None of them require new tools.
Pre-Launch Compliance Checklist
- Label every commercial relationship at caption start
- Match every claim to dated evidence
- Name basis for comparative and superlative claims
- Make paid and affiliate formats identifiable without tapping
- Check live post after publication
- Specify label wording, position, platforms in creator contract
- Record named sign-off against campaign
Build a pre-launch checklist
- Every commercial relationship is labelled, with the label at the start of the caption or on screen throughout.
- Every claim has a matching row in the substantiation file, with evidence dated before approval.
- Comparative and superlative claims name the basis of comparison.
- Paid and affiliate formats are identifiable as ads without the viewer tapping or expanding.
- The live post has been checked after publication, not just the draft.
- The contract with each creator specifies the label wording, position and platforms.
- A named person has signed off, and their name is recorded against the campaign.
Approval should sit with someone who understands the CAP Code, not only the client's brand guidelines. In larger agencies that is a compliance lead. In smaller ones it is a named senior person with the checklist in front of them.
Keep the record
Retain briefs, contracts, screenshots and evidence for the period the campaign runs and for a reasonable period after. If a complaint arrives, the file is the defence. If the file is thin, the ruling is likely to be upheld.
Train the people who write the captions
Most failures are written by people who have never read a ruling. A short internal session using Boots, THG, Michael Kors, Müller, Colgate or Tesco Mobile does more than a policy document nobody opens.



